![]() ![]() ![]() The Project was inaugurated with La bohème by Puccini (2000) and continued with other eminent titles: Un giorno di regno (2001) and Oberto, conte di San Bonifacio by Verdi (2002, also at Teatro Carlo Felice of Genoa) four operas by Mozart, Ascanio in Alba (2006), Così fan tutte (2007), Le nozze di Figaro (2008), and Die Zauberflöte (20 at the Shangyin Opewra House in Shanghai) three Donizetti titles, Ugo, conte di Parigi (2003, also at Teatro Donizetti of Bergamo and Teatro Bellini of Catania in 2004), Le convenienze ed inconvenienze teatrali (2009, also at the Kongres & Kultur Center of Aalborg, Denmark), and Don Pasquale (2012) and four works by Rossini, L’occasione fa il ladro (2010, on tour in 2011), L’Italiana in Algeri (2011), La scala di seta (2013), and Il barbiere di Siviglia (20). Master classes held by such luminaries as Luis Alva, Marcelo Álvarez, Teresa Berganza, Renato Bruson, Enzo Dara, Juan Diego Flórez, Mirella Freni, Gregory Kunde, Christa Ludwig, Giorgio Merighi, Leo Nucci, Lubica Orgonasova, Ruggero Raimondi, Renata Scotto, Luciana Serra and Shirley Verrett further enrich the educational experience.Īn important aspect of the course since the first year it was offered, students are given numerous opportunities to perform on stage before an audience in Italy and abroad in an intensive program of concerts and operas.Īmong the opera titles and venues featuring La Scala Academy soloists, we mention Giulio Sabino by Sarti at Teatro Alighieri of Ravenna (1999), Cecchina, o sia la buona figliola by Piccinni at Teatro Franco Parenti of Milan (1999), at Teatro Fraschini of Pavia (1999), and at Teatro Piccinni of Bari (2000), Nina, o sia la pazza per amore by Paisiello at Teatro Strehler in Milan (1999), Parisina at Teatro Donizetti of Bergamo (2004), Un giorno di regno (2012) and Cenerentola (2016) al Teatro Filarmonico of Verona, Falstaff at Teatro Verdi in Busseto (2013), Il barbiere di Siviglia on tour in 2013 in Italy (Teatro Valli of Reggio Emilia and Teatro Comunale of Modena) and abroad (at the Kaliningrad Opera House), Falstaff, at the Royal Opera House of Muscat, Oman (2015), and Così fan tutte at Teatro Carlo Felice of Genoa (2017).Īnother major pillar in the Academy program is the yearly Academy Project, an opera on the Teatro alla Scala season program entrusted entirely to La Scala Academy students instituted in the year 2000. For role study, the teachers will be Beatrice Benzi, Nelson Guido Calzi, Michele D’Elia, Umberto Finazzi, Jeong Un Kim, Vincenzo Scalera, Paolo Spadaro Munitto, James Vaughan, and for stage arts the stage director Marina Bianchi.ĭaily study, which includes Italian language teaching for non-native speakers, is interwoven with frequent performances by the soloists in productions on the Teatro alla Scala season program, alongside world class singers, orchestra conductors, and stage directors. She is joined for the 2021-2023 biennium by Gregory Kunde and Pietro Spagnoli who will the study of the repertoire. The lead instructor is Luciana D’Intino, specialized in vocal and interpretive technique. ![]() LYRIC OPERA PROFESSIONALThe Academy prepares young opera singers who have a solid background in voice and music for their professional career, honing their technical and interpretive skills in a two-year program under the guidance of artists with a flair for transmitting their stage abilities. Founded by Riccardo Muti in 1997 under the artistic direction of Leyla Gencer, the La Scala Opera Academy carries forward the legacy of the “Cadetti della Scala” school instituted in 1950 by Arturo Toscanini to preserve and transmit the Italian operatic tradition to the new generations. ![]()
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